Paper business cards

Make a small format carry the right amount of information.

A business card should feel considered in the hand and remain easy to read. Format, stock, finish and staff versions belong in one artwork brief.

Stacks of unbranded paper business cards showing smooth, linen, coloured and metallic-detail surfaces.

Small piece, deliberate hierarchy

Give the essential information room to work.

The strongest starting point is not a finish; it is the information the recipient needs to recognise and use.

Once the hierarchy is clear, orientation, stock, surface and version handling can support the intended impression.

  • Orientation
  • Printed sides
  • Stock
  • Staff versions
  • Finishing

Decisions to resolve

Balance identity, legibility and production

The final stock, surface and finishing combination is confirmed against the artwork and intended use for the actual job.

01Size and orientation
Standard or job-specific format, landscape or portrait
02Information hierarchy
Name, role, contact details and brand elements
03Printed sides
What belongs on the front, reverse or shared layout
04Staff versions
Static design plus the fields that change for each person
05Stock and surface
Tactile, visual and handling expectations to discuss
06Finishing
Any specialist detail and the artwork clearance it requires

Build the brief

Prepare the card as a system, not a one-off file

For multiple people, define a repeatable record and approval process. For a specialist surface, check the artwork relationship before treating it as final.

Include in the brief

  • Quantity and number of staff versions
  • Final size and orientation
  • Front and reverse content
  • Approved contact records
  • Logo and brand assets
  • Stock or finish expectation
  • Artwork owner and proof approver

Print quote

Ready to discuss business cards?

Include the intended use, quantity, artwork status, delivery location and the decisions above. The team will confirm what is practical for business cards.